News and Music Discovery
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
WKMS welcomes community members to self-voice self-authored compositions that express opinion, introspection or humor on topics of interest and importance to our audience. If you have an opinion, interest or review you'd like to share with WKMS listeners, please see the guidelines below. The views expressed in commentaries are the opinion of the commentator and don't necessarily reflect the views of WKMS.The station will review every script before it is recorded with respect to:Libel or slander.Content that is more promotional than provocative.Accuracy.Personal attacks and ad hominem attacks.Political or religious content that promotes rather than informs.Appropriate usage, language and form for civil discourse.The station will assist authors with:Making appropriate edits.Bringing the communication to proper time length, generally about 600 words or 3 to 4 minutes of spoken word.Recording the communication in the WKMS studio (unless other arrangements that yield equally acceptable audio are agreed to).Editing the communication and placing it in the WKMS schedule.WKMS will require authors to provide the station a final script that will be filed in the news department and will be placed on the station's web site.WKMS will need authors to provide a suggested introduction for each communication as well as a standard announcer outro script that includes author name, general place of residence, and whatever other personal information might lend authority or authenticity to the communication.WKMS will schedule produced communications and inform the author of time(s). Generally these are aired three times each, but the rotation is solely at the discretion of the station.WKMS will refuse to air communications that violate rules of the Federal Communications Commission for non-commercial, educational stations. Further, WKMS will refuse to air communications that would, for any reason, undermine its goodwill with the audience it serves.If you find these terms agreeable, please email msu.wkmsnews@murraystate.edu to schedule a time in a studio to record.

Uncommon Mystery - Maigret Loses His Temper

By Michael Cohen

http://stream.publicbroadcasting.net/production/mp3/wkms/local-wkms-869576.mp3

Murray, KY – As the weather gets colder many turn their attention indoors, to good food, drink and a few good reads. This is not unlike the usual interests of famous fictional detective, Commissaire Maigret, the lead character in George Simenon's long-running series. Commentator Michael Cohen peaks through the pages of one of his books.

It may be paradoxical to talk about one of Georges Simenon's Inspector Maigret stories as an uncommon mystery. This one, Maigret Loses His Temper, from 1963, is, after all, the 62nd in the series about the Paris detective, eventually Chief Superintendent, who goes to work every day at the criminal investigation division, or S ret headquarters on the Quai des Orfevres, the wharf-side street named after the goldsmiths who used to have their shops there. It's common enough to find these Maigret mysteries on bookstore racks, after all. But there are some uncommon things about this particular Maigret mystery and about Maigret as a mystery detective.

Fictional detectives usually go against the grain a bit, but Maigret is as about as bourgeois as the bourgeois Frenchman gets. Unlike most fictional detectives, he has a happy married life, although, or perhaps because, his wife tends to feed him too much rich food. Maigret has been advised by his friend Doctor Pardon to "watch his liver," but he still allows himself an occasional ap ritif in addition to a glass of wine at mealtimes and a beer sometimes in the evening. And he hardly ever loses his temper, as he does in this book.

Maigret investigates the disappearance of a Montmartre night-club owner. Maigret studies his family situation very carefully: he has a wife, a former nightclub performer, who seems perfectly content in her role as mother and not jealous of her younger sister who was the victim's secretary. People at the night club tell him that the night club owner repeatedly tried to telephone someone the night of his disappearance, finally got through, and then walked slowly up the Rue Pigalle. Maigret walks slowly up the Rue Pigalle, thinking.

Eventually Maigret uncovers a scheme to defraud people suspected of crimes. A lawyer has come up with the brilliant plan of extorting money from these people by promising to pay off police and judges, but he only tries this on cases where he knows there is very little chance the police or prosecutor will pursue them. Maigret loses his temper because the lawyer has told his clients that Maigret is corrupt and takes bribes.

The Maigret stories are not ordinary police procedural, because the emphasis is not on the police work that is done, but rather on Maigret's own thought processes. We are let in on these in the early stages, and it is not so much the inferences he makes from the clues, but the way he identifies with the people in the investigation; for example, he tries to get inside the victim's wife's head to see how she reacts to his questions and whether she is jealous of her sister. His cases absorb him completely, not intellectually the way Sherlock Holmes's cases do, but emotionally. His talent is a perfect compassion. Although he despises the villain in this book, he nevertheless has managed to be him in the course of the investigation.

Matt Markgraf joined the WKMS team as a student in January 2007. He's served in a variety of roles over the years: as News Director March 2016-September 2019 and previously as the New Media & Promotions Coordinator beginning in 2011. Prior to that, he was a graduate and undergraduate assistant. He is currently the host of the international music show Imported on Sunday nights at 10 p.m.
Related Content