With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters–losers, cheaters, and ne’er-do-wells from all stripes of life–and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.
Matt Markgraf says:
I read this on the spurs from this year’s great western flicks: True Grit and Cowboys vs. Aliens. The Sisters Brothers is a sharp-tongued, gallows humor bloodbath that goes down smooth and strong like fine brandy. It’s Quentin Tarantino absurdism, following around Charles and Eli Sisters, two hired gunslingers on a mission to hunt down Herman Kermit Warm. I was often shocked by the brothers’ punishing sense of justice and judgment, yet I found myself nodding along, ensnared by the not so fair-handed reasoning of Eli Sisters. The Wild West was a free-for-all and the Sisters had an oddly charming way of collecting their entitlements. The emotion and action in this story is finely, finely tuned. You will hate the brothers, love them and most of all be absolutely riveted by the story’s poignancy.
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