Tom Cole

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(SOUNDBITE OF JOHN ABERCROMBIE'S "BACKWARD GLANCE")

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Thirty years ago this week, an unknown filmmaker walked into a club in Washington, D.C., with a videotape in his hand. It was one of those nights when anyone could screen their work ... but this was the first public screening of a short documentary that's gone on to become the very definition of a cult classic.

Jean-Baptiste "Toots" Thielemans, the Belgian-American musician who cut a singular path as a jazz harmonica player, died in his sleep Monday in his hometown of Brussels. He was 94.

Watching a Terence Davies film is like watching paintings come to life. On the other hand, the filmmaker jokes, "The people who don't like my films say it's about as interesting as paint drying."

Still, Davies (pronounced "Davis") has plenty of defenders. More than one critic has called him Britain's greatest living film director, and French filmmaker Jean-Luc Godard — who was famously not a fan of British moviemakers — called Davies' 1988 full-length feature breakout, Distant Voices, Still Lives, "magnificent".

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We're going to travel up the California coast now to remember one of the architects of the San Francisco Sound of the '60s.

(SOUNDBITE OF SONG, "SOMEBODY TO LOVE")

Jazz guitarist John Scofield has had a pretty remarkable career. Without even finishing music school, he found himself on the Carnegie Hall stage playing with jazz legends Chet Baker and Gerry Mulligan. Then it was on to Miles Davis, his own successful jazz-funk fusion groups, and even greater exposure playing with jam bands.

The National Endowments for the Arts and Humanities, two federal grant-making agencies aimed at investing in American culture, turn 50 on Tuesday. There will be a yearlong celebration commemorating the agencies' history — and future.

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