Kat Chow

Kat Chow is a founding member of NPR's Code Switch, an award-winning team that covers the complicated stories of race, ethnicity, and culture. She helps make new episodes for the Code Switch podcast, reports online features for Code Switch, and reports on-air pieces for NPR's shows like Morning Edition and All Things Considered. Her work has led readers and listeners on explorations of the gendered and racialized double standards surrounding double-eyelid surgery, as well as the mysterious origins of a so-called "Oriental" riff – a word she's also written a personal essay about. Much of her role revolves around finding new ways to build communities and tell stories, like @todayin1963 or #xculturelove.

During her tenure at NPR, Chow has also worked with NPR's show Invisibilia to develop a new digital strategy; reported for KERA in Dallas, Texas, as NPR's 2015 radio reporting fellow; and served on the selection committee for AIR Media's incubator project, Localore. Every now and then, she's a fourth chair on NPR's podcast Pop Culture Happy Hour. And sometimes, people ask her to talk about the work she does — at conferences in Amsterdam or Chicago, or at member stations in St. Paul or Louisville.

While a student at the University of Washington in Seattle, Chow wrote a food column for the Seattle Weekly, interned with the Seattle Times and worked on NBC's Winter Olympics coverage in Vancouver, B.C. You can find her tweeting for Code Switch at @NPRCodeSwitch and sharing her thoughts at @katchow.

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Meet the star of one of the biggest movies opening this weekend, a cyborg based off a Japanese manga series called "Ghost In The Shell."

(SOUNDBITE OF FILM, "GHOST IN THE SHELL")

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The day Donald Trump took office, six members of the presidential advisory commission for Asian American Pacific Islanders stepped down. Last week, another 10 resigned.

Standing on the steps of the U.S. Supreme Court on Wednesday afternoon, Simon Tam, the bassist and frontman of the Asian-American rock group The Slants, was fired up. He'd just watched as most of the eight justices questioned whether the government should back his right to use his band's name, which is a racial slur.

"If the government really truly cared about fighting racist messages they would have canceled the registrations for numerous white supremacist groups before they even approached our case," he told a crowd of reporters.

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Playwright Qui Nguyen usually describes his show, Vietgone, as a "sex comedy" about his parents. He also acknowledges that that's a strange thing to do.

The play does have a lot of sex in it. There are raunchy jokes, and the characters frequently and unabashedly lust after one another and act on those desires. Nguyen said he wanted to make his characters — fictional Vietnamese refugees based on his parents — three-dimensional.

On a recent March morning at his home in a New Jersey suburb, Anthony Mendez was on his living room couch with his 9-year-old daughter. He was watching the previous night's episode of Jane the Virgin, studying his own performance as the show's unseen narrator.

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